Bud Herseth and Sir Colin Davis

I admit that I was thrown off center last evening by the events in Boston. Having been on the scene of the 9-11 tragedy and also having taken my students down Boylston Street just 4 weeks ago, the news was difficult to digest.

My original intent had been to mention the passing of both Adolf “Bud” Herseth, principal trumpet for the Chicago Symphony for over 50 years, and Sir Colin Davis, the longest-serving principal conductor of the London Symphony. The loss of both these musical luminaries in the same day is monumental. Their lives are a true inspiration to our continuing performance legacy.

I found this article about Sir Colin Davis on the British site, The Guardian. He led an extraordinary life in so many ways.

Chris Martin, who succeeded Mr. Herseth as Principal Trumpet of the CSO, said this on Facebook late yesterday. It is a warm and beautiful tribute.

On this day of mourning, I know I speak for the members of the CSO trumpet section in offering our deepest condolences to the family of Adolph Herseth.

Bud’s impact on the music world was so monumental that every brass player alive surely has heard his brilliant, clear, inimitable tone and been changed by its clarion beauty. The astounding longevity of Bud’s 56 year career is only surpassed by the unfailingly high standard he upheld each and every day in the CSO. He was, as Daniel Barenboim aptly named him, a “pillar” of the CSO because his standard was not limited to merely equaling what he had done before but spurred on by the ideal of the excellence he could imagine. Bud combined that imagination with an unquestioning, unrelenting work ethic to do whatever it took to achieve his highest aspirations, and we have all been the fortunate beneficiaries over these 65 years.

Through his thousands of concerts, multitude of iconic recordings, and innumerable lessons and coachings, Bud had something else to teach us. It is a lesson he rarely spoke of but lived everyday: courageous sacrifice. Courage to go beyond the obvious requirements of what is expected, even if it’s more work for yourself and those around you, and a willingness to sacrifice what is comfortable and safe for something higher and perhaps unattainable. For Bud, of course, so much was attained and, in turn, given back to all.

And perhaps this is one of Bud’s most important lessons: that in the end after so much work, after endless hours honing that perfect sonic blend of strength and beauty, after countless life-changing concerts, ovations, accolades and adulations, what mattered most was the simple act of giving. Giving of his best self, his wisdom, and his heart through music. Bud spent his life in pursuit of a visionary level of trumpet artistry no one before him imagined existed and in so doing changed the course of music history.

Bud said at the end of his career that he would have started it all over again if he could. The wonderful thing about the gift of music is that he can and he does. Each time a young trumpeter hears the Reiner Zarathustra or a Solti Pictures or Mahler 5 for the first time and realizes the expressive power of a trumpet, Bud starts over again. Each time the four of us in the CSO, or in any orchestral section, or in a military band, or in a brass quintet, or in a classroom of students decides to “give it our best every time we have the chance,” Bud starts over again.

I know the CSO trumpet section feels, as Bud did, that we are all “lucky to be here,” and we share in the responsibility to try our best to uphold his legacy for the next generation.

Chris Martin
Adolph Herseth Principal Trumpet Chair
Chicago Symphony Orchestra

Massed band Kalinnikov at NVOT

As I have discussed in rehearsal, I’m inviting colleagues and alumni to join the NVOT Wind Symphony, to make a massed band to play the Kalinnikov at my final NVOT concert on June 11. The performance will really benefit from your experience and expertise. If you are interested, please confirm you are able to attend:

  • Rehearsal: Wednesday, June 5, 8:00-9:30 pm at NVOT
  • Concert: Tuesday, June 11, 7:30 pm at NVOT

Use the form below to register to play. Thank you, and see you tomorrow evening.

 

Rehearsal on April 15

I’ve updated the rehearsals schedule for Monday. I hope everyone has had a chance to review the Kalinnikov recordings. They are a real eye-opener (or ear-opener, I guess).

Remember that we are going to have a short review of the Ticheli on Monday night so we don’t fall behind in our preparation for our clinic with Mallory Thompson on May 31.

The 25th Gala is fast approaching! See you Monday evening!

Original Kalinnikov Symphony No. 1

Great rehearsal on Monday night! Thanks go out to Barbara and Lois for their outstanding contributions as soloists. This concert is going to be spectacular!

I’ve uploaded the recording of the original orchestral version of Kalinnikov’s Symphony No. 1 to the Sound Files page. Please take the time to listen to all four movements of the original before next Monday’s rehearsal to understand the thematic development of the Finale more fully.

Expect that next Monday’s rehearsal will focus on the Persichetti Symphony, with review on the Ticheli Rest, and work on the Kalinnikov and the Shostakovich.

Enjoy this beautiful weather this week.