If you’re like me, you’ve spent half your life’s disposable income on reeds, reed knives, thumb rests, hydrators, mouthpieces, mouthpiece pads, reed trimmers, reed duplicators, reed rush, blank reeds, swabs, double cases, triple cases . . . and ligatures. Well, maybe we could have saved a lot of money by skipping the ligature completely and just used a shoelace.
Rich Simons, who has played string bass with us on a couple occasions, is mounting an orchestral performance of the deMeij Lord of the Rings Symphony. We performed the first movement, Gandalf, during my first season. If you have the time and inclination, it sounds like a worthy opportunity. Here is Rich’s information:
The Cortlandt Chamber Orchestra is performing Johan de Meij’s Symphony No.1 (“Lord of the Rings”), and I’m looking for more players. I hope there might be some people who would be keen to play the orchestral version of this symphony, since it is so often done in the original concert band version. We already have a bunch of people playing, but as you might expect, we do have parts to cover, mostly brass and percussion. Players may contact me directly, and can get all of the concert info from our website: ww.cortlandtmusic.org/cco.html
You’ll find Rich’s email on the website referenced above. Contact him for rehearsal dates and more information.
Ticket sales for Caramoor start today. If you are interested, go to https://tickets.caramoor.org/public/. I’ve tried to communicate with our contact since December, but have gotten no response, so I have not been able to ask about any kind of priority in regard to ticketing, on the lawn or in the Venetian Theater. I will still pursue this with him, but if you have family who want center row down front, you should act soon.
I used alliteration to highlight just how serious I feel! My high school English teacher would be so proud!
We had so many challenges this cycle: the two-week Christmas/New Year break, the constant question “Where are we rehearsing this week?”, the last minute soloist substitution and illness of our guest conductor on concert day, the snow, more snow, even more snow, the difficulty of the repertoire . . . the list goes on.
But you all proved something very important today. From the first chair soprano squirrelophone to the last chair sub-bass sarrusophone, you came together as a team, as an ensemble, as a community to make outstanding music together and truly connected with our audience. You turned your back on all the things which could have prevented you from playing your best, and embraced the opportunity to be outstanding. The large crowd on an “iffy” weather day is more proof that our audience believes in you and believes in your ability to consistently astound them. This is why I thought it was important to point out to the audience that you are not amateurs, you are pro-am’s, who embrace challenge and push through with courage and high musicianship.
You welcomed Chris and made him feel right at home. He commented over and over again that he was so surprised by the warmth and welcome you provided him, unlike some other solo experiences he’s had. You honored Amy with your performance of the Hackett, remembering and maintaining the details she requested during her rehearsals with you. You gave Matt the best reading of the Ticheli to date with a convincing and emotional performance. And most importantly, you let go and allowed yourselves the permission to succeed today. This is paramount, and this is something that is important to remember and revisit in the future.
Enjoy the post-concert glow — you certainly earned it. I’ll be posting over the next three weeks to engage you with links to recordings and important information about the pieces we’re about to tackle for May, and reminders of our upcoming rehearsals for our May 17 concert. I will see you again on Monday, March 3 at TMH.
Thank you and congratulations!